R.E.M. - Automatic for the People

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Posted on Wed, 10/01/2014 - 5:49pm
by John MacMillan

Member since: Tue, 01/07/2014
 

Release Type

Studio Album

Release Year

1992

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Label

Warner Bros. Records

 

Album Overview

Automatic for the People is the eighth studio album by the American alternative rock band R.E.M., released in 1992 on Warner Bros. Records. Upon release, it reached number two on the U.S. album charts and yielded six singles. The album has sold 18 million copies worldwide and is widely considered one of the best records released in the 1990s.

Tracks

TrackTitleDuration
1Drive4:31
2Try Not To Breathe3:51
3The Sidewinder Sleeps Tonite4:09
4Everybody Hurts5:20
5New Orleans Instrumental No. 12:16
6Sweetness Follows4:21
Notes

Cello: Knox Chandler

7Monty Got A Raw Deal3:18
Notes

Cello: Knox Chandler

8Ignoreland4:27
Notes

Harmonica, Clavinet: Scott Litt

9Star Me Kitten3:16
10Man On The Moon5:14
11Nightswimming4:18
12Find The River3:50

Background and recording

After promotional duties for their previous album Out of Time in May 1991, the members of R.E.M. began work on their next album. Starting the first week of June, guitarist Peter Buck, bassist Mike Mills, and drummer Bill Berry met several times a week in a rehearsal studio to work on new material. Once a month they would take a week-long break. The musicians would often trade instruments: Buck would play mandolin, Mills would play piano or organ and Berry would play bass. Buck explained that writing without drums was productive for the band members. The band, intent on delivering an album of harder-rocking material after Out of Time, made an effort to write some faster rock songs during rehearsals, but came up with less than a half-dozen prospective songs in that vein.

When it came time to make demos, the musicians recorded them in their standard band configuration. According to Buck, the musicians recorded about 30 songs. Lead singer Michael Stipe was not present at these sessions; instead, the band gave him the finished demos at the start of 1992. Stipe described the music to Rolling Stone Magazine early that year as "[v]ery mid-tempo, pretty fucking weird [...] More acoustic, more organ-based, less drums". In February, R.E.M. recorded another set of demos at Daniel Lanois' Kingsway Studios in New Orleans.

The group decided to create finished recordings with co-producer Scott Litt at Bearsville Studios in Woodstock, New York, starting on March 30. The band recorded overdubs in Miami and New York City. String arrangements were recorded in Atlanta. After recording sessions were completed in July, the album was mixed at Bad Animals Studio in Seattle.

Music and lyrics

Despite R.E.M.'s initial desire to make an album of rocking, guitar-dominated songs after Out of Time, music critic David Fricke noted that instead Automatic for the People "seems to move at an even more agonized crawl" than the band's previous release. Peter Buck took the lead in suggesting the new direction for the album. The album dealt with themes of loss and mourning inspired by "that sense of [...] turning 30", according to Buck. "The world that we'd been involved in had disappeared, the world of Hüsker Dü and The Replacements, all that had gone [...] We were just in a different place and that worked its way out musically and lyrically." "Sweetness Follows", "Drive", and "Monty Got a Raw Deal" in particular expressed much darker themes than any of the band's previous material.

The songs "Drive", "The Sidewinder Sleeps Tonite", "Everybody Hurts", and "Nightswimming" feature string arrangements by former Led Zeppelin bassist John Paul Jones. Fricke stated, "ballads, in fact, define the record," and noted that the album featured only three "rockers": "Ignoreland", "The Sidewinder Sleeps Tonite" and "Man on the Moon".

"It pretty much went according to plan," Litt reported. "Compared to Monster, it was a walk in the park. Out of Time had an orchestral arrangement – so, when we did Automatic, judging where Michael was going with the words, we wanted to scale it down and make it more intimate."

Packaging

The album name refers to the motto of Athens, Georgia eatery, Weaver D's Delicious Fine Foods. The photograph on the front cover is not related to the restaurant: it shows a star ornament that was part of the sign for the Sinbad Motel on Biscayne Boulevard in Miami, near Criteria Studios, where the bulk of the album was recorded. The motel is still there, but the star is not. The slanted support where it was once attached is still present, however. "The album was going to be called Star at one point, hence the object on the cover that Michael had photographed and really dug," Scott Litt told Mojo. "It helps to have some kind of focus in the studio, so the photo was stuck up."

The interior jacket shows a two–three story circular platform that was the sign for the old Bon Aire Motel on the former Motel Row on Miami Beach. The Bon Aire and other motel row establishments have mostly been demolished for new high-rise condominiums.

The front cover of the album shows a greyed-out photograph of a Miami motel sign placed over an embossed image, which is also included inside the album's booklet distorted on a white background. The back cover features a photograph of an old building with the track listing written over at the same angle from which the building is viewed. Other photographs, taken by Anton Corbijn, feature the band members on a beach.

The compact disc was issued in a jewel case with an odd yellow translucent spine/CD tray. The cassette shell was also issued with the same color. The yellow was made to match the colour of the CD disc. The band would later use a similar method for Monster which was released in an orange spine/CD tray (though this matched the album cover).

Release

Automatic for the People was released in October 1992. In the United States, the album reached No. 2| on the Billboard 200 album charts. The album reached No. 1 in the United Kingdom, where it topped the UK Albums Chart on four separate occasions. Despite not having toured after the release of Out of Time, R.E.M. again declined to tour in support of this album. Automatic for the People has been certified four times platinum in the U.S. (four million copies shipped), six times platinum in the United Kingdom (1.8 million shipped), and three times platinum in Australia (210,000 shipped). The album has sold 3.5 million copies in the U.S., according to Nielsen SoundScan sales figures as of 2011.

Automatic for the People yielded six singles over the course of 1992 and 1993: "Drive", "Man on the Moon", "The Sidewinder Sleeps Tonite", "Everybody Hurts", "Nightswimming", and "Find the River". Lead single "Drive" was the album's highest-charting domestic hit, reaching No. 28 on the Billboard Hot 100. Other singles charted higher overseas: "Everybody Hurts" charted in the top ten in the United Kingdom, Canada, and Australia.

A re-recorded, slower version of "Star Me Kitten," featuring William S. Burroughs, was released on Songs in the Key of X: Music from and Inspired by the X-Files.

The music videos from the album were included in Parallel.

In 2005, Warner Bros. Records issued a two-disc edition of Automatic for the People which includes a CD, a DVD-Audio disc containing a 5.1-channel surround sound mix of the album done by Elliot Scheiner, and the original CD booklet with expanded liner notes.

Reception

R.E.M. biographer David Buckley wrote, "Automatic for the People is regarded by Peter Buck and Mike Mills, and by most critics, as being the finest R.E.M. album ever recorded." Rolling Stone gave the album five stars. Reviewer Paul Evans wrote, "Despite its difficult concerns, most of Automatic is musically irresistible." Melody Maker reviewer Allan Jones commented, "It's almost impossible to write about the record without mentioning the recent grim rumors concerning Stipe's health," in reference to the rumors at the time that the singer was dying of AIDS or cancer. Jones concluded his review by noting, "Amazingly, initial reactions to Automatic for the People in this particular vicinity have been mixed [...] Psshaw to them. Automatic for the People is R.E.M. at the very top of their form." Ann Powers, reviewing the album for The New York Times, noted that only three of the songs on the album went beyond mid-tempo and said, "Only 'Man on the Moon' shines with a wit that balances R.E.M.'s somber tendencies." Powers finished her review by saying, "Even in the midst of such disenchantment, R.E.M. can't resist its own talent for creating beautiful and moving sounds. [...] Buck, Mills and Berry can still conjure melodies that fall like summer sunlight. And Stipe still possesses a gorgeous voice that cannot shake its own gift for meaning." Guy Garcia, for Time, also noted the album's themes of "hopelessness, anger and loss". Garcia added that the album proves "that a so-called alternative band can keep its edge after conquering the musical mainstream" and that it "manages to dodge predictability without ever sounding aimless or unfocussed."

Automatic for the People placed third in the Village Voice Pazz & Jop year-end critics' poll. The album was nominated for Album of the Year at the Grammy Awards of 1994. It was also ranked #247 in Rolling Stone's 500 Greatest Albums of All Time. Rolling Stone also ranked it at #18 on its "100 Greatest Albums of the 90s" list.

In 2006, British Hit Singles & Albums and NME organised a poll of which, 40,000 people worldwide voted for the 100 best albums ever and Automatic for the People was placed at #37 on the list.

"I'm not so crazy about 'The Sidewinder Sleeps Tonite'," Buck reflected in 2001, "but overall I think it sounds great."

Personnel

R.E.M.

  • Bill Berry – drums, percussion, keyboards, bass guitar, backing vocals, melodica
  • Peter Buck – electric and acoustic guitars, mandolin, bass guitar
  • Mike Mills – bass guitar, piano, keyboards, backing vocals
  • Michael Stipe – lead vocals

Additional musicians

  • Scott Litt – harmonica, clavinet

Strings and oboe on "Drive", "The Sidewinder Sleeps Tonight", "Everybody Hurts", and "Nightswimming":

  • John Paul Jones – orchestral arrangements
  • George Hanson – conductor
  • Denise Berginson-Smith, Lonnie Ottzen, Patti Gouvas, Sandy Salzinger, Sou-Chun Su, Jody Taylor – violin
  • Knox Chandler, Kathleen Kee, Daniel Laufer, Elizabeth Proctor Murphy – cello
  • Reid Harris, Paul Murphy, Heidi Nitchie – viola
  • Deborah Workman – oboe

Credits

Art Direction, Design: Michael Stipe
Art Direction, Design: Tom Recchion
CGI Artist [Computer Imaging]: Cecil Juanarena
Engineer: Clif Norrell
Engineer [Additional Recording / 2nd Engineer @ Bosstown Recording Studios]: Ted Malia
Engineer [Additional Recording / 2nd Engineer @ Kingsway Studio]: Mark Howard
Engineer [Additional Recording @ John Keane Studio]: John Keane
Engineer [Mixed / 2nd Engineer @ Bad Animals / Seattle]: Ed Brooks
Engineer [Mixed / Assistant Engineer @ Bad Animals / Seattle]: Tod Lemkuhl
Engineer [Recorded / 2nd Engineer @ Bearsville Studio]: George Cowan
Engineer [Recorded / 2nd Engineer @ Criteria Recording Studios]: Andrew Roshberg
Mastered By: Stephen Marcussen
Mixed By: Clif Norrell
Mixed By: Scott Litt
Photography By: Anton Corbijn
Photography By [Back Cover Photos]: Fredrik Nilsen
Producer: R.E.M.
Producer: Scott Litt
Technician [Drum Technician]: Robert Hall
Technician [Technical Assistance - Microwave]: Mark Mytrowitz

Notes

The track listing on the vinyl and cassette editions of the album lists tracks 1–6 as "Drive" and 7–12 as "Ride"

© ℗ 1992 R.E.M. / Athens, Ltd. WEA Manufacturing Inc, repress, W imprint on back of jewel case Usage of the title and musical material of "The Lion Sleeps Tonight" by permission of Abilene Music, Inc. Automatic For The People is the motto and service mark of Weaver D's Delicious Fine Foods in Clarke County, Georgia. A gracious thanks to Weaver D and his great establishment----"Automatic."

 

 

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Attribution

Automatic for the People - Wikipedia, the free encyclopedia : taken from - https://en.wikipedia.org/wiki/Automatic_for_the_People
https://creativecommons.org/licenses/by-sa/3.0/