Bruce Springsteen - The Rising

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Posted on Tue, 09/02/2014 - 7:35pm
by John MacMillan

Member since: Tue, 01/07/2014
 

Release Type

Studio Album

Release Year

2002

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Label

Columbia

 

Album Overview

The Rising is the twelfth studio album by American recording artist Bruce Springsteen, released in 2002 on Columbia Records. In addition to being Springsteen's first studio album in seven years, it was also his first with the E Street Band in 18 years. Widely believed to have been based on Springsteen's reflections during the aftermath of the September 11, 2001 attacks, the album is predominantly centered upon themes of relationship struggles, existential crisis and social uplift.

Upon its release, The Rising was a critical and commercial success, and hailed as the triumphant return for Springsteen. It debuted at #1 on the Billboard 200 chart, with first-week sales of over 520,000 copies. With this, Springsteen became the oldest person to achieve a first-week sales of over a half of a million copies in the United States. The album also garnered a Grammy Award for Best Rock Album in 2003; although nominated for the Album of the Year award as well, it was beaten by Norah Jones' debut album Come Away with Me. Title song "The Rising" was also a Grammy recipient.

Tracks

TrackTitleDuration
1Lonesome Day4:08
Notes

Cello: Jere Flint
Cello: Larry LeMaster

2Into The Fire5:04
Notes

Cello: Jane Scarpantoni
Hurdy Gurdy, Glockenspiel: Brendan O'Brien

3Waitin' On A Sunny Day4:18
Notes

Glockenspiel, Bells [Orchestra Bells]: Brendan O'Brien

4Nothing Man4:23
5Countin' On A Miracle4:44
Notes

Arranged By [Strings], Conductor [Strings] [Nashville String Machine]: Ricky Keller
Cello [Nashville String Machine]: Bob Mason
Cello [Nashville String Machine]: Carole Rabinowitz
Cello [Nashville String Machine]: Julie Tanner
Cello [Nashville String Machine]: Lynn Peithman
Engineer [Second Engineer]: Melissa Mattey
Ensemble: The Nashville String Machine
Viola [Nashville String Machine]: Gary Vanosdale
Viola [Nashville String Machine]: Jim Grosjean
Viola [Nashville String Machine]: Kristin Wilkinson
Viola [Nashville String Machine]: Monisa Angell
Violin [Nashville String Machine]: Alan Umstead
Violin [Nashville String Machine]: Connie Ellisor
Violin [Nashville String Machine]: David Angell
Violin [Nashville String Machine]: David Davidson
Violin [Nashville String Machine]: Lee Larrison
Violin [Nashville String Machine]: Mary Kathryn Vanosdale
Violin [Nashville String Machine]: Pam Sixfin
Violin, Contractor, Concertmaster [Nashville String Machine]: Carl Gorodetzky

6Empty Sky3:34
Notes

Hurdy Gurdy: Brendan O'Brien

7Worlds Apart6:07
Notes

Engineer [Engineered By]: Dave Reed
Engineer [Second Engineer]: Brian Humphrey
Lead Vocals [Lead Singer, Asif Ali Khan And Group]: Asif Ali Khan
Recorded By [Recorded Asif Ali Khan And Group]: Chuck Plotkin
Vocals [Asif Ali Khan And Group]: Bakhat Fayyaz Hussain
Vocals [Asif Ali Khan And Group]: Imtiaz Shibli
Vocals [Asif Ali Khan And Group]: Manzoor Hussain Shibli
Vocals [Asif Ali Khan And Group]: Omerdraz Hussain Aftab
Vocals [Asif Ali Khan And Group]: Raza Hussain
Vocals [Asif Ali Khan And Group]: Sarfraz Hussain
Vocals [Asif Ali Khan And Group]: Shahnawaz Hussain Khan
Vocals [Asif Ali Khan And Group]: Waheed Hussain Mumtaz
Vocals [Special Vocal Guests]: Asif Ali Khan And Group
Vocals, Harmonium [Asif Ali Khan And Group]: Karamat Ali Asad
Vocals, Tabla [Asif Ali Khan And Group]: Haji Nazir Afridi

8Let's Be Friends (Skin To Skin)4:21
Notes

Choir: Alliance Singers
Recorded By [Additional Recording And Original Track By]: Toby Scott
Vocals [Alliance Singers]: Antoinette Moore
Vocals [Alliance Singers]: Antonio Lawrence
Vocals [Alliance Singers]: Jesse Moorer
Vocals [Alliance Singers]: Tiffeny Andrews
Vocals, Contractor [Alliance Singers]: Corinda Carford
Vocals, Soloist [Choir Solo] [Alliance Singers]: Michelle Moore

9Further On (Up The Road)3:52
10The Fuse5:37
11Mary's Place6:03
Notes

Baritone Saxophone: Ed Manion
Cello: Jane Scarpantoni
Choir: Alliance Singers
Tenor Saxophone: Jerry Vivino
Trombone: Rich Rosenberg
Trumpet: Mark Pender
Trumpet: Mike Spengler
Vocals [Alliance Singers]: Antoinette Moore
Vocals [Alliance Singers]: Antonio Lawrence
Vocals [Alliance Singers]: Jesse Moorer
Vocals [Alliance Singers]: Tiffeny Andrews
Vocals, Contractor [Alliance Singers]: Corinda Carford
Vocals, Soloist [Choir Solo] [Alliance Singers]: Michelle Moore

12You're Missing5:10
Notes

Arranged By [Strings], Conductor [Strings] [Nashville String Machine]: Ricky Keller
Cello: Jere Flint
Cello: Larry LeMaster
Cello [Nashville String Machine]: Bob Mason
Cello [Nashville String Machine]: Carole Rabinowitz
Cello [Nashville String Machine]: Julie Tanner
Cello [Nashville String Machine]: Lynn Peithman
Ensemble: The Nashville String Machine
Viola [Nashville String Machine]: Gary Vanosdale
Viola [Nashville String Machine]: Jim Grosjean
Viola [Nashville String Machine]: Kristin Wilkinson
Viola [Nashville String Machine]: Monisa Angell
Violin [Nashville String Machine]: Alan Umstead
Violin [Nashville String Machine]: Connie Ellisor
Violin [Nashville String Machine]: David Angell
Violin [Nashville String Machine]: David Davidson
Violin [Nashville String Machine]: Lee Larrison
Violin [Nashville String Machine]: Mary Kathryn Vanosdale
Violin [Nashville String Machine]: Pam Sixfin
Violin, Contractor, Concertmaster [Nashville String Machine]: Carl Gorodetzky

13The Rising4:50
Notes

Cello: Jane Scarpantoni

14Paradise5:39
15My City Of Ruins5:00
Notes

Cello: Jane Scarpantoni

History and Influence

While most of the songs were written after September 11, 2001, a few of them pre-date the attacks. It's been rumored that Springsteen got the inspiration for the album a few days after the 9/11 attacks, when a stranger in a car stopped next to him, rolled down his window and said: "We need you now." Springsteen also told this story to journalist Mark Binelli in the August 22, 2002 issue of Rolling Stone. "My City of Ruins" was originally performed in, and written about, Asbury Park, New Jersey. After its performance by Springsteen on the post-September 11 America: A Tribute to Heroes telethon, however, the song took on an expanded meaning. "Further On (Up the Road)" was performed live in Madison Square Garden during the summer of 2000 at the end of the Springsteen-E Street Reunion Tour, and was professionally recorded, although it was not included in the HBO, DVD, or CD versions of Bruce Springsteen & the E Street Band: Live in New York City. "Waitin' on a Sunny Day" was originally written in the early- or mid-1990s and played in at least one soundcheck during the Reunion Tour. Springsteen has commented that "Nothing Man" was originally completed in 1994 but re-recorded for this album. "Worlds Apart" is the most experimental song on the album, featuring a heavy Middle Eastern along with Qawwali singers in the introduction. "The Fuse," another experimental track features a subtle Hip-Hop beat and vocal looping. A re-recorded version of the song, with an orchestral backing features in the Spike Lee-directed film 25th Hour.

"Mary's Place" is directly inspired by Sam Cooke's "Meet Me at Mary's Place"; The gospel-like "My City of Ruins" is organized around the melody line of Curtis Mayfield's "People Get Ready".

Release

Helped by a substantial marketing campaign — pre-release promotion was the biggest of Springsteen's career — and the concurrent Rising Tour, The Rising went on to become Springsteen's first #1 album on the U.S. pop albums chart since his 1995 Greatest Hits album and would go on to sell about 2,100,000 copies in the United States (with 520,000 in the first week alone), making it Springsteen's best-selling and highest charting album of new material since 1987's Tunnel of Love.

Critical Reception

The Rising received widespread acclaim from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album has received an average score of 82, based on 21 reviews. In a rave review for Rolling Stone, Kurt Loder said that it is a triumphant and cohesive album because of its "bold thematic concentration and penetrating emotional focus". Thom Jurek of AllMusic called the album "one of the very best examples in recent history of how popular art can evoke a time period and all of its confusing and often contradictory notions, feelings and impulses." David Browne, writing in Entertainment Weekly, felt that Springsteen's message has a renewed relevance, while his occasionally overburdened lyrics are overcome by lively and vivid music. Keith Phipps of The A.V. Club wrote that the musically confident album showcases Springsteen's strength as an empathic songwriter. Uncut magazine called The Rising "a brave and beautiful album of humanity, hurt and hope from the songwriter best qualified to speak to and for his country ... A towering achievement."

In a mixed review for The Guardian, Alexis Petridis found the music awkwardly old-fashioned and said that its best songs are highlighted by good melodies rather than lyrics, which he felt are generally simplistic and unambiguous. Keith Harris of The Village Voice found most of the songs too vague and unworldly, and lacking in real-life characters "responding in their idiosyncratic ways." In his consumer guide for The Village Voice, Robert Christgau cited "Paradise", "Nothing Man", "The Rising", and "My City of Ruins" as "choice cuts", indicating good songs on "an album that isn't worth your time or money". He felt that The Rising is unmistakably patriotic to the point where it is "dragged down, with a few magnificent exceptions, by the overburdened emotions and conceptual commonplaces of the great audience that inspired it."

The Rising was voted the sixth best album of 2002 in the Pazz & Jop, an annual critics poll run by The Village Voice. Christgau, the poll's creator and supervisor, ranked the title track as the year's tenth best single in his own list for the poll. In 2011, Rolling Stone named it the fifteenth best album of the 2000s.

Cultural Impact

Although "The Rising" was a response to 9/11, many see it as a more universal anthem of resilience and hope. On the 10th anniversary of 9/11, Dan DeLuca of the Philadelphia Inquirer said: "The songs make contextual sense in the aftermath of 9/11, but the specific details that give them power are allusive. 'Lonesome Day,' 'You're Missing,' and 'My City of Ruins' are about the hollowing devastation of that day, but the language is universal, so the sentiments are by no means frozen in time." The song "My City of Ruins" has been used in response to tragedies other than 9/11, such as the devastation of Hurricane Katrina. In 2006, while on tour supporting his We Shall Overcome: The Seeger Sessions album, Springsteen performed the song at the New Orleans Jazz & Heritage Festival. The song received an emotional response from the crowd given its refrain of "Come on rise up!" "The Rising", given its message of hope in the face of adversity, was used by President Barack Obama as his official campaign song after Springsteen endorsed him in April 2008.

Tour Edition Bonus DVD

  1. "The Rising" [live, 2002 MTV Video Music Awards performance]
  2. "Waitin' on a Sunny Day" [live, The Rising Tour, Barcelona, Spain, 2002]
  3. "Lonesome Day" [music video]
  4. "Mary's Place" [The Rising Tour, Barcelona, Spain, 2002]
  5. "Dancing in the Dark" [The Rising Tour, Barcelona, Spain, 2002]

Personnel

E Street Band

  • Bruce Springsteen – lead guitar, vocals, acoustic guitar, baritone guitar, harmonica
  • Roy Bittan – keyboards, piano, mellotron, Kurzweil, pump organ, Korg M1, crumar
  • Clarence Clemons – saxophone, background vocals
  • Danny Federici – Hammond B3, Vox Continental, Farfisa
  • Nils Lofgren – electric guitar, Dobro, slide guitar, banjo, background vocals
  • Patti Scialfa – vocals
  • Garry Tallent – bass guitar
  • Steven Van Zandt – electric guitar, background vocals, mandolin
  • Max Weinberg – drums

Additional Musicians

  • Soozie Tyrell – violin, background vocals
  • Brendan O'Brien – hurdy-gurdy, glockenspiel, orchestra bells
  • Larry Lemaster – cello
  • Jere Flint – cello
  • Jane Scarpantoni – cello
  • Nashville String Machine
  • Asuf Ali Khan and group
  • Alliance Singers
  • The Miami Horns

Credits

Art Direction: Christopher Austopchuk
Art Direction: David Bett
Coordinator [Brendan O'brien Project Coordinators]: Erin Haley
Coordinator [Brendan O'brien Project Coordinators]: Katie Fendley
Coordinator [Brendan O'brien Project Coordinators]: Mala Sharma
Coordinator [Bruce Springsteen Project Coordinators]: Kevin Buell
Coordinator [Bruce Springsteen Project Coordinators]: Terry Magovern
Coordinator [Jon Landau Management Project Coordinator]: Allison Oscar
Design: David Bett
Design: Michelle Holme
Edited By [Digital Editing By]: Laurie Flannery
Engineer [Additional Engineering By]: Billy Bowers
Engineer [Second Engineer]: Karl Egsieker
Management: Jon Landau Management
Management [Jon Landau Management]: Allison Oscar
Management [Jon Landau Management]: Barbara Carr
Management [Jon Landau Management]: Jan Stabile
Management [Jon Landau Management]: Jon Landau
Management [Jon Landau Management]: Tammy McGurk
Mastered By: Bob Ludwig
Photography By: Danny Clinch
Producer [Produced By], Mixed By: Brendan O'Brien
Recorded By: Nick Didia
Written-by: Bruce Springsteen
 

Attribution

The Rising (album) - Wikipedia, the free encyclopedia : taken from - https://en.wikipedia.org/wiki/The_Rising_(album) https://creativecommons.org/licenses/by-sa/3.0/